Thursday 1 October 2009

History of Jazz: Towards a New York and Chicago


Jazz history may indeed have roots in New Orleans at the beginning of the century, but this music really drove in the early 1920s, when trumpeter Louis Armstrong left New Orleans to create a revolutionary new music in Chicago. Similarly, the migration of artists to New York briefly and then marks a permanent shift from South to North. Chicago took the music of New Orleans and make it more hot, heating temperature not only with Armstrong's Hot Five and Hot Seven bands, but also with other artists such as Eddie Condon and Jimmy McPartland, who has Austin High helped lead the way in the wake of New schools Orleans. Others include the pianist Art Hodes, Barrett Deems drummer and clarinetist Benny Goodman.
Armstrong and Goodman eventually establish their way to New York, helped create a critical mass that has served the city well,


making New York the world capital of jazz. And even though Chicago has become the center of the recording, New York grew into a real center, not just for the record, but also a place to perform, such as the legendary clubs like Minton's Club, the Cotton Club and the Village Vanguard, as well as many arena - big arenas like Carnegie Hall show. Bebop was born in New York City, created and carried by stars such as Charlie Parker, Dizzy Gillespie and Thelonious Monk.

Er during the 1960s, the sequence allowed the opportunity to appear for even more creative music in the two cities. In Chicago, the emergence of the Association for the Advancement of Creative Musicians (AACM) and a variety of venues Loft-type protect a new style, in-your-face avant garde, carried by musicians such as saxophonist Fred Anderson. While in New York, Loft scene is defined by all the different types of musicians, especially in the era of the 1970s and 1980s, offering players such as saxophonist Sam Rivers, musicians in the World Saxophone Quartet and the Vanguard Orchestra.
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